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- Free pdf 13 steps to mentalism how to#
- Free pdf 13 steps to mentalism professional#
- Free pdf 13 steps to mentalism series#
Really fun book, even for someone who has no interest in performing stage magic.moreĪn absolutely fascinating book for everyone who wants to step inside the mentalism world.
Free pdf 13 steps to mentalism how to#
Question and answer, akin to Ray Hyman's marvelous work "Cold Reading: How to convince strangers that you know all about them", teaches you to principles and techniques for reading people by visual cues, statistical variabilities and other devious mechanisms. Two person telepathy opens up new possibilities to interact with a close friend or even invent a new internal language tailored for your spesific needs (a fun weekend activity with your significant other, i suppose). On the other hand, most of the book are packed with information which can be quite useful magicians and laymen alike.įor instance the mnemonics chapter can teach you some neat memory tricks (similar to Cicero's Memory Palace/Method of loci) you can use anywhere, anytime.
Free pdf 13 steps to mentalism professional#
Some takes it one step ahead (like chapter 12) and gives advice only for professional magicians. Some chapters fully dedicated to stage acts, filled with nice effects and methods. Ii) Pencil, Lip, Sound, Touch and Muscle ReadingĪs pointed out in many reviews, mentalism isn't implying any kind of supernatural stunts (or necromancy for that matter), it's just stage magic. Lots of good reviews here but let's make a proper one: Lots of good reviews here but let's make a proper one: Book covers 13 chapters: i) Swami Gimmick ii) Pencil, Lip, Sound, Touch and Muscle Reading iii) Mnemonics and Mental Systems iv) Predictions v) Blindfolds and X-Ray Eyes vi) Billets vii) Book Tests viii) Two Person Telepathy ix) Mediumistic Stunts x) Card Tricks xi) Question and Answer xii) Publicity Stunts xiii) Patter and Presentation As pointed out in many reviews, mentalism isn't implying any kind of supernatural stunts (or necr That book is a real gem. The ethics of such knowledge, and how to use it, is largely left up to the individual reader. More broadly, what is interesting about this book is the ways it demonstrates how easily people can be fooled, how ready they are to be fooled, and how a smart individual can take advantage of that. The last two chapters are also interesting, in terms of the advice he gives on publicity and self-promotion, though of course he is dealing with a different level of communications technology than is normal today. It’s interesting in part, because the whole conceit of his act, and everyone else involved in this business, is to pretend that mind reading really is possible, and that these staged tricks demonstrate it, while throughout the book he is clearly telling you it isn’t, and how you can guess a card or number without being a real mind reader.
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It’s also interesting, from an ethical standpoint, how disapproving he is of “phony mediums” and others who use these techniques to rip people off instead of entertain them. If you’re not interested in the history of stage magic, this book still has a few interesting sections, especially those in which he reveals how “phony mediums” put on their performances.
Free pdf 13 steps to mentalism series#
Probably because of its history as a series of booklets, the front end of the book is heavily weighted toward practical advice, and the back is where most of the theory is covered. There are also many typos and writing errors of various kinds, although the editors have done a good job of making page references consistent to the book’s pagination, instead of for example referring you to “page 8 of step three.” Most of these pamphlets were originally written in the late 1950s or early 1960s, and as the author is British, there are some interesting (at times confusing) anachronisms or foreign terms to grapple with, for example when he speaks of any trick involving currency. The book explains, mostly in very practical terms, the array or “tricks,” “gimmicks” or “swindles” (!) one can perform on stage in order to appear to be a mind reader in order to entertain an audience. I should point out here, to avoid confusion, that in this case “magic” refers exclusively to stage magic and not such Magic (or Magick) as people like Aleister Crowley discuss. This book was originally written as a series of pamphlets for sale in “magic shops” all over the English-speaking world.